When living in times such as these, it's little wonder that audiences are perhaps more aware of class, privilege, and the absurdism inherent in the gulf between worlds which allows for this intoxicatingly compelling storyline to suck you in and wring you dry. At times hilariously funny and decadently subversive, and others toe-curlingly-visceral, this is an experience which is sure to stay with you for some time afterwards. Keoghan's performance is phenomenally iconic, aided by the exceptional cast, and Fennell's use of cinematography to hold tension is exquisitely uncomfortable and highly effective. This is a film which feels like an instant cult classic which is thoroughly entertaining and well worth your time. 9.34/10
A billionaire's technological fortress in Iceland, eclectic mix of invitation-only guests, and opaque motivations provide the setup for a classic murder mystery, and this one is both surprising and compelling. The performances are generally excellent, though it is the tension and subtlety of Corin's portrayal that is mesmerising to watch and anchors the escalating suspense which steadily builds throughout the episodes. Self-aware and gripping, this was a thoroughly entertaining whodunnit well worth your time. 8.87/10
There is something rather delightful about the juxtaposition of the apocalypse and women's teen trauma providing a foundation on which to meet the challenges head on, even better when it's Australian. This series is tonally inconsistent, and pulls its punches to prioritise the comedy, nevertheless there is hilarity to be had in the interactions between the now-thirties cast reliving their Catholic high school years post-apocalypse-post-high-school-reunion trapped in their old school. An entertaining premise ensuring that hijinks ensue, this is a solid dramedy which is engaging and fun. 6.48/10
Once upon an evening dreary
While I watched this weak and weary With many a quaint and curious hope of yore, Suddenly there came a tapping As of brilliance gently rapping, rapping at my cynics core Darkness there, and visceral gore. Presently my joy grew stronger Hesitating then no longer, as I became enthralled With witty writing and fiendish styling Compelling brilliance, and something more. This sordid story still is slithering, still is sitting, in my psyche With my highest commendation, I do implore For you to take delight within this Gothic tale The memory of which shall be lifted, Nevermore... 'A beautifully rendered modern take on the genius of Poe juxtaposed against a thoroughly modern American context, with searing commentary and a superb performances, resulting in a gripping experience. 9.31/10 I was not convinced that we needed yet another TMNT movie after the lacklustre offerings of the past decade, but the art style was enough to merit interest and this exceeded expectations. Visually brilliant, with clever writing and a cracking pace, this is true to the spirit of the original show tonally and thematically which was delightful to see. The updates to the present era are seamlessly integrated to capture the 'youth vibe' without feeling self conscious, with the stunning art direction and character design producing something that is both unique and engaging. A thoroughly enjoyable family experience. 8.23/10
Wes Anderson dialled himself up to eleven on this one to produce a delightfully esoteric film that is so absurdly self aware it's in conversation with itself, making for an entertainingly quirky experience. Anderson is a polarising director, and if you love his style then you will find yourself enthralled by the beautifully crafted set design, devilishly deadpan performances, and clever writing, though if you are not a fan it's unlikely this will convert you. Absurdism at its best, as only pastel technicolour celluloid can deliver, a must see for Anderson fans and cinephiles alike. 8.76/10
Watching Crowley and Aziraphael together again is a joy, and while not quite as clever as the first season, with some tonal and pacing issues, nevertheless this is the kind of content which you are here for as a fan first and critic second. Watching felt like coming home on a cold evening to a warm cup of tea and uggboots, with the dynamic between Sheen and Tennant providing the kind of sparks that would make Danielle Steel take notes, whilst balancing the subject matter with the levity and wit Gaiman and Pratchett are known for. Clearly setting up for a third season, there are many threads unresolved which does make it feel somewhat unsatisfying from a storyline perspective, however the character development and performances make up for these frustrations, resulting in a comfortingly entertaining experience. 7.89/10
Marvel continues to churn out content, and for the most part I've been impressed, though this is an offering which felt less creative and compelling than previous fodder, not to mention that Agents of Shield essentially covered these ideas already. The moral commentary on the refugee experience is where this is most compelling; there are moments when the writing is beautifully crafted, and watching Jackson and Coleman together is a delight, however the pacing is patchy and occasionally this feels undercooked. There is enough here to be generally enjoyable but less so than I was hoping, and is likely most suited to hardened MCU fans. 7.02/10
Greta Gerwig definitely proves that life in plastic is not only fantastic, but also uproariously funny, gleefully clever, and joyously, unabashedly, gloriously feminist. Any scepticism I was harbouring quickly evaporated with the hilariously self-aware opening sequence which sets the meta-commentary in motion and establishes the defiant tone which allows for this film to have its cake and eat it too. The exquisite set design and sumptuous visuals further enhance the experience, and this is sure to hold up to multiple viewings. An absolute joy which I can't recommend highly enough. 9.23/10
Given the times in which we find ourselves, perhaps it's not surprising that Nolan would find himself drawn to the story of the man who is immortalised in infamy as the father of The Bomb, and if nothing else this cinematic masterpiece will only further galvanise Oppenheimer's place in history. Every element of this is exquisitely considered, which is not to say that the chaotically purposeful editing and heightened artistry in cinematography is always comfortable viewing, rather the deliberate uneasiness underscores the thematic commentary and characterisation to produce a profoundly poignant experience that is awesome in the true sense of the word. 9.34/10
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